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Meet the Editors
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Yolanda Scott
VP, Publisher, and Editorial Director
A topic alone isn’t enough to interest me—I’m looking for a fresh, innovative approach and adept writing combined with an awareness of the market. The bulk of my titles are picture books (split between fiction and nonfiction), with the occasional novel or longer nonfiction. I like conceptual thinkers with strong convictions and a desire for collaboration. My editorial process emphasizes structure, story arc, consistency, and concise writing.
Yes, Please!
doneDiverse, lived-experience perspectives
doneScience, nature, and environmental topics
doneBooks on arts and culture
doneLGBTQ+ content
doneBooks that blend genres
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Alyssa Mito Pusey
Executive Editor
As an editor specializing in nonfiction, I firmly believe there is nothing as astonishing as real life. Almost any topic can hook me—as long as it’s approached from an unexpected angle. In addition to nonfiction, I edit fiction picture books with memorable characters and strong school-and-library hooks. In both nonfiction and fiction, I look for diversity, innovation, clarity, and voice. Humor is a plus!
Yes, Please!
doneTightly focused, innovative nonfiction
doneAll aspects of STEM
doneHistory, biography, and the arts
doneUnderrepresented perspectives and identities
doneFunny, active fiction and nonfiction picture books with kid and classroom appeal
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Karen Boss
Senior Editor
My list is varied and diverse and includes fiction and nonfiction. I acquire mostly picture books, but also a little of everything from original board books to middle-grade and YA novels. I look for new voices, particularly those who are underrepresented. I love unique story structure, strong characters, and intriguing topics. My favorite part of being an editor is collaborating with creators—working together to figure out how to make a book the best it can be.
Yes, Please!
doneAuthors and author-illustrators who are strong revisers
doneNew takes or views
doneHumor or cleverness
doneLittle-known topics approached with unique structure
doneEngaging characters
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Natalia Vázquez Torres
Associate Editor & Editorial Services Coordinator
I absolutely adore books that have a strong narrative voice and are character-driven—regardless of whether the character is a human, an animal, or an object. I’m always on the lookout for underrepresented voices and creators from diverse experiences, from board books through young adult. Books that incorporate multiple languages and cultures and how they intersect intrigue me in particular.
Yes, Please!
doneBooks with diversity that have unique characters
doneSocial-emotional themes
doneUnderrepresented voices of all backgrounds
doneBooks dealing with translanguaging
doneAdventures, mystery, and historical fiction themes in fiction and nonfiction
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Gabriela Baron
Assistant Editor
I’ve assisted our editors with a variety of titles ranging from board books to middle-grade novels. I’ve acquired primarily picture books as I’ve grown my own frontlist, but I’m also open to novels-in-verse. I’m drawn to language that sings, and I believe there is strength in simplicity. Topics of family, culture, and tradition particularly inspire me.
Yes, Please!
doneBooks from new voices and diverse perspectives
doneMemorable, well-developed characters
doneStrong story arcs
doneOpen to nonfiction and fiction, with a preference for narrative nonfiction
Creating Lifelong Readers and Lifelong Learners
For more than 35 years, Charlesbridge has been passionate about the craft of bookmaking. Our books encourage reading and discovery, embracing a child’s innate sense of wonder and fun. We believe books should be compelling, informative, and promote a positive worldview. We continually strive to seek new voices, visions, and directions in children’s literature.
Small-Press Values, Big-Publisher Sales Power
The combination of our world-class sales team, Penguin Random House Publisher Services, and our hands-on independent publishing model gives our authors, illustrators, and customers the best of both worlds.